Wednesday, April 20, 2011

Later For Tarantino, Scorsese and Coppola • Hip Hop Be Bustin' At Em • The Cinematic Genius of Waka Flocka


Pow, Bitch
I'm just bustin' at 'em
Pow, Bitch
I'm just bustin' at 'em
Ain't no talkin' homie,
I'm jus' bustin' at 'em
Pow, Bitch
I'm just bustin' at 'em
Pow Bitch
I'm just bustin' at 'em
Pow, Bitch
I'm just bustin' at 'em
Ain't no talkin' homie,
I'm jus' bustin' at 'em

4 comments:

Cash Rulz said...

Please tell me this is sarcasm at its finest?

Denmark Vesey said...

Ahhh come on Cash.

If some white boys did this to an opera soundtrack ... it would win awards at Cannes and your kids would be studying it in college.

Cash Rulz said...

Do you think my opinion is based on color?

You should know me better than that.

Denmark Vesey said...

Nooooo....

you totally misread that one Cash.

The artistic merits of Mr. Flocka's meditation on the psychological phenomenon of dauntless determination expressed as preemptive strike is illustrated brilliantly in this short-film. Visually, it's unlike anything ever done in the rap genre.

This piece is ahead of its time.

The reference to white boys is a meditation upon the reluctant tendency of some Negros to celebrate the creative achievements of some young black men ... simply because they are young black men.

The tendency is to reduce and dismiss.

Thus ... the same Negros who repeat the Plantation mantra that "dey aint tawkin' 'bout nuffin' cept gunz and dwugz' ...

Will be the first Negros in line to see the upcoming GOTTI movie from Hollywood.

They don't mind white film directors using the powerful metaphor of violence and guns in their work ... but when black men partake ... they are reduced to nothing more than redundant monkeys who worship violence for the sake of violence.

Hope that clears it up.