Earthen architectural structures with larger footprints than the Pyramids of Giza ... in Ohio ... Built in 300 BC ... by BLACK people ... Yet the Plantation has Plantation Negros believing black people didn't set foot on this continent until white men brought them here in chains... Jigaboos.
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35 comments:
Another candidate for the “blackest negro award” no doubt!
Negroes who are mental slaves need to hear self-fulfilling propaganda from their white slavemasters.
For The Negros Who Need To Hear It From White Folks ... "African-Americans" Are Not From Africa But Are The Real Jews of The Bible – DV
ROTFLMBAO! Who are these real Jews of the Bible? Moses? David? Jesus? And where did they originate? Talking about an identity crisis. What are you now? A Moorish Jew? Bacon-Bey Ben-Israel!
Check out:
Mooz-lum
http://v2dstudio.com/Moozlum/home.htm
lol
It is funny how these Negro products of Plantation schools defend a historical narrative spoon fed them by their slave masters as if it was their own.
OK. Kunta ... you roll with that Roots shit.
lol
Don't you realize that is why they promote "Black History Month" so feverishly?
Keep you Jigaboos in the dark about who you really are.
Have you seen that movie yet Makheru? I know it's supposed to be playing around here somewhere. Let me know what you think.
This movie is stuck in the 90's with that John Singalton style script.
We have a myriad of story lines in syndication about racists whites and misunderstood others.
This is like "Higher Learning" pasted on a xenophobia/Islamophobia landscape. I'm sure the crux of the story is "hating other people is a bad thing."
That's my "Sisqo" and Ebert take on it.
This is proper.
http://www.youtube.com/watch?v=leMWi2asGPw&feature=related
Later for Singlton
http://www.youtube.com/watch?v=P4P6rS5AELo
Forgot about their interview on the Today Show.
At the end they agreed to do a song that was radio friendly but they switched it up and did the previous song I posted but with a different beat. Someone was on set that knew Spanish, informed the content of the song.
Notice how they cut them off immediately after they said, "Viva Young Lords holding swords and Panther logos."
DMG, one of my comrades attended a screening in ATL and gave me the scoop on it. The movie releases on 2/11/11, but it is not showing nationwide. I'm being told that people have to demand that a theater shows the movie in your location.
OK. Kunta ... you roll with that Roots shit.-- Devany
I'm rolling with Gerald Massey, Cheikh Anta Diop, John G. Jackson, Chancellor Williams, Yosef ben-Jochannan, John Henrik Clarke, Ivan Van Sertima and Charles Finch.
You roll around in circles with your latest blackest negro on the planet--blackamoor, blackajew, blackamerican, blackamoor, blackajew...
Gee Chee,
How about a movie review rather than some random propaganda?
Nevermind, it's not like you are a reliable or consistent source of information anyway.
Makheru, yeah, I heard that. I think it will actually show here though
Gee Chee...hey I DID like that M-team video though. Good stuff..
I have not seen this movie but it screams patronizing identifiers.
The story is about the experience of an African-American Muslim. Obviously. His mother and father are both black.
The story in reality is a cookie-cutter narrative about immigrant Muslims/first generation Muslims ie a young Pakistani/Somali/Lebanese etc trying to find their identity in a black persons body.
Generally (generally) black indigenous youth are already identified by their peers as black. A Somali is identified as African, Pakistanis and Arabs are identified as Arabs or Arab Muslims.
I can already detect the direction of the film. It appropriates reductive "evening news sensationalism."
That is crumby and ignoring a deep political history of Islam and Black America. It is a sand trap story line that cats can't seem to break free of. Depict some racists white dudes on campus (just like Higher Learning). That doesn't do anything but subvert the homeland security, war machine reality with via 9/11. It does what Jerry Springer/Geraldo did in the 90's by tossing up series of Klan episodes ignoring more pertinent matters. Chuck is saying the KKK wears three piece suits while Geraldo says they walk around in white burning crosses on niggers yards.
What Chuck presented (and others) was dissension when the Gulf War was the opportunity to reignite America's belief in war after Vietnam.
This movie serves as a politically correct movie that can't step on any toes except for the "hate groups."
The discourse taking place amongst the indigenous Muslim community (black/white/Latino) is washed out and replaced with detached immigrant narratives that offer no solutions other than an immigrant version of a Civil Rights Movement. It creates a fragile depiction of black indigenous Muslims being shut out and clueless to American cultural nuances as someone who is fresh off the boat.
As if the influences Muhammad Ali & Malcolm have disappeared in the wind.
The bull headed father archetype that's harsh on his son or daughter. Just like EVERY OTHER Hollywood film.
Little Mermaid, Avatar etc. The plot of the traditional elder wanting one way while the child rebels. In the end the child is the more rational thinking individual while the father (old fashion square) learns to accept. Sidney Poitier how he sees his father in Guess Who's Coming to Dinner is the perfect archetype.
They have not managed to create a narrative that a non-Muslim audience can relate to because the black kid is an immigrant by script. This only further distance the narrative of a black community that has influenced the spiritual practices of the black church itself.
It's like cutting out the narratives of Rakims or Biggies in a hip-hop movie and replacing them with a black version of Vanilla Ice. That would look silly. From the trailer, this is what this movie is doing.
GeeChee,
You could have said that in the first place that you didn't see the flick. Maybe you should wait to see it and reserve judgement until then. I figured as an artist you would give your filmmaking compatriots a bit of leeway until you actually sat down to see it. If it sucks, it sucks. You can't call it cookie cutter until you've actually laid eyes on the product, or have some inside information the rest of us don't have. If so, spill.
"This movie is stuck in the 90's with that John Singalton style script." GC
Thank God for Gee Chee.
Thought it was just me.
"That is crumby and ignoring a deep political history of Islam and Black America. It is a sand trap story line that cats can't seem to break free of. Depict some racists white dudes on campus (just like Higher Learning)." GC
Man.
Thank you bruh.
These Plantation Negros will really dumb down the discourse if you let them.
Beware The Tyranny of The Mediocre
"The bull headed father archetype that's harsh on his son or daughter. Just like EVERY OTHER Hollywood film." GC
Refreshing analysis.
Them DMG Negros will keep shit real "second base" if you let them.
Terrified of looking stupid, they try to cover their lack of creativity and critical thinking with disproportionate aggression and preemptive insults.
Guess what?
Don't work.
They come off even more bourgeois and petty.
...so says the Flava Flav internet hype man.
Refreshing analysis my ASS. You have to actually SEE a film to analyse it.
Look clown, why don't you make yourself useful and rhyme for us. It's Saturday night, shouldn't you be entertaining me?
LOL.
It's always the dumbest, least educated peasant ass, country Negro talking the loudest.
OK Jigaboo.
Whatever you say.
It's a great film.
Gone With The Wind. Dr. Zhivago. Federico Fellini. The Godfather. City of God.
A Classic.
The overbearing father is a ground breaking archtype never seen in American film.
Yes or no question?
Have you seen the film?
If yes, thank you for your opinion. Duly noted.
If no. Perhaps you should Shut. The. Fuck. UP. Until you have. Otherwise you are just parroting what OTHER motherfuckers had to say about the movie.
Kind of like what you usually do since you don't have any original thoughts or analyses.
Thank God for Gee Chee. Thought it was just me.-- Devany
What's the matter Devany? Not enough lapdogs sucking on your tits.
Refreshing analysis.-LOL. Analysis of what--ideas floating around in his head?
Dude hasn't even seen the movie. He's presenting biased and stereotypical commentary based on his preconceived notions.
To hear something truly refreshing check these interviews with Qasim Basir.
http://ummahstream.ning.com/
For a review by someone who has actually seen the movie check:
http://thescorecardreview.com/review/film-reviews/2010/10/07/mooz-lum/13317
"DMG said...
Yes or no question?
Have you seen the film?"
Look Jigaboo.
I've seen a 2:18 second video trailer.
Which was 2:00 more than I needed to assess the narrative cliche that brother Gee Chee so expertly articulated with the Singleton metaphor.
But that's beside the point.
Explaining my taste in art to you Plantation educated peasants is of little interest.
I'm not 'debating' with you Negros.
I'm letting you know:
The Plantation spoon fed you aggressively ignorant morons a cinematic diet of Miss Jane Pittman ... After-School-Specials... produced by ABC... that had about as much nutritional myth as the Free Lunches they fed you civil-rights Negros had nutritional value.
You identify with this film because it reminds you of the narrative programmed into your brains just as certainly as the vaccines the Plantation injected into your veins.
You know.
... the smart, sympathetic, misunderstood and frequently abused fill-in-the-blank ___ minority, out of place in a hostile environment, yearning to fit in ... but struggling with the demands of a strict, overbearing, 'fanatical' father ... shielded by his compassionate, selfless, yet understanding mom ... while secretly longing for the beautiful, sensitive, yet unattainable blonde girl, who wants to be with him ... but can't because he is a fill-in-the-blank _____ minority, eventually, after some tragedy, she elects to be with him, despite her own family ... yada yada yawn kiss my black ass with that simplistic shit motherfuckers. Give me a break.
This is the same old Negro film in Muslim face.
This time the Colored boy is a Muslim and the whites don't hate him because he's black, they hate him because of his religion. Tragedy brings it all together at the end and the white folks realize they are wrong and the Muslim/Negro people are just like other people after all ....
Been there. Done that.
Based on recent history of Muslims around the world, I could imagine a much more compelling bit of cinema.
makheru bradley said...
"What's the matter Devany? Not enough lapdogs sucking on your tits."
Everybody aint a full time hater like you Mak.
Some cats got enough heart, love and self-esteem to give a cat his due.
Unlike you bitchy Negros who say you hate it here ... but come ... every day.
So you can go somewhere with that 'divide & conquer', petty, girl ass insinuation that anybody who shares a point with DV "is a lapdog".
Every brother in the spot is his own man.
Some cats just don't need to hate for the sake of hating ... to prove it.
amen^^
My posts keep disappearing.
“What's the matter Devany? Not enough lapdogs sucking on your tits.
Refreshing analysis.-LOL. Analysis of what--ideas floating around in his head?
Dude hasn't even seen the movie. He's presenting biased and stereotypical commentary based on his preconceived notions.”-MB
Come on MB, don't get your kente cloth all bunched up. I made it clear it was a review of a trailer; I wasn’t reviewing you. If I post on a thread it's not to teach or preach absolutes, it's to exchange ideas with cats that can identify this lab-rat maze we're in and don't wait for someone to tell them what they see themselves. That said...
Qasim Basir is black (indigenously black); Basir is Muslim.
If you have notions that pigment/belief is an unquestionable qualifier of Basir having unabridged depth of the Muslim community, then you're over inflating the black in your red and collard greens. Basir is doing what he is doing…doesn't make him dynamite. I got nothing against this writer as a person. He has hustled, pushed and made a film. He has no deep inspirational social commentary.
Basir’s Obama commercial does not give you an inkling of how the man is thinking? I don't know what's worse, a "Yes We Can" or "Just Say No" commercial.
I present a "stereotypical commentary?" The movie IS STEREOTYPICAL. That is a xerox of “Higher Learning.” It’s instant replay MB.
My analysis is of REPETITION, not boxing round predictions. Played out patterns MB. You were impressed, cool. But because either DV or myself aren’t moved by the broken record storyline don't mean dudes trying to be Piper/Orndorff to your Kamala.
Basir delivers a personal account…his life, his story. So did Purple Rain.
“8 Million Stories” like Kurtis Blow said. Who don’t have a personal narrative?
I can't write off another man’s experiences. But what Basir is presenting is a meme that is presented through syndicate-suckle and is also by the way pushed by uninformed Afrocentrics.
A Pentagon media machine meme for a generally uninformed public.
-Black Muslim wanna be Arab
-Abandoning their identity
-Trying to find identity when they already have one
These are truisms, but if taken to film and not contextualized only echoes conclusions constructed by societal memory lapse.
"... the smart, sympathetic, misunderstood and frequently abused fill-in-the-blank ___ minority, out of place in a hostile environment, yearning to fit in ... but struggling with the demands of a strict, overbearing, 'fanatical' father ... shielded by his compassionate, selfless, yet understanding mom ... while secretly longing for the beautiful, sensitive, yet unattainable blonde girl, who wants to be with him ... but can't because he is a fill-in-the-blank _____ minority, eventually, after some tragedy, she elects to be with him, despite her own family ... yada yada yawn kiss my black ass with that simplistic shit motherfuckers. Give me a break.
This is the same old Negro film in Muslim face.
This time the Colored boy is a Muslim and the whites don't hate him because he's black, they hate him because of his religion. Tragedy brings it all together at the end and the white folks realize they are wrong and the Muslim/Negro people are just like other people after all ...."DV
LOL
That summed up 95% of the content of Hollywood colored folk dramas.
So you can go somewhere with that 'divide & conquer', petty, girl ass insinuation that anybody who shares a point with DV "is a lapdog".-- Devany
Hey you're the one who said, "Thought it was just me." I was just responding to your insecurities. I'm certainly not a full-time hater. I don't respond to 90 percent of your posts because they are not relevant to me. But when you tread into areas that I care about with ridiculous commentary like this "real Jews of the Bible" propaganda (which you can't defend) then I'm going to float like a butterfly and sting like a bee upside your head.
I've seen a 2:18 second video trailer.-- Devany
I made it clear it was a review of a trailer-- GC
Thus, everything both of you have written about the film can be classified as absurdities of superficiality. And you have the gall to talk about Basir lack of depth--Negroes Please!
If you have notions that pigment/belief is an unquestionable qualifier of Basir having unabridged depth of the Muslim community, then you're over inflating the black in your red and collard greens.-- GC
My loyalties are based on Ma'at, not melanin. I simply introduced Mooz-lum as a FYI.
I find it interesting that people who believe that slam-dunks represent a "Global System of Black Supremacy" would bash a young brother for attempting to deal with this volatile issue from his perspective. But, given the absence of critical thinking previously demonstrated that shouldn't have been a surprise.
Yet the Plantation has Plantation Negros believing black people didn't set foot on this continent until white men brought them here in chains... Jigaboos.-- Devany
White supremacy is constructed on a foundation of myths. That's the value of the Afrocentric movement. Scholars like Dr. Ivan Van Sertima made us aware of the "Afrikan Presence in Early America" research done by scholars like Leo Wiener and John G. Jackson in the 1920s and 1930s.
In addition, as a result of dealing with brothers in the Moorish Science Temple since 1990 I became aware of Empress Verdiacee of the Washitaw Nation in Louisiana.
An earthen mound structure with a larger footprint than the Great Pyramid is impressive, but it does not compare in terms of technical knowledge required to build a massive stone structure.
Secondly, if you analyze the artwork, wooden and stone human image sculptures, from the various mound sites—Natchez, Moundville, Etowah, Spiro, Chokia, Great Serpent, Hopewell, Seip, Fort Ancient, Adena, Newark, and Grave Creek to name a few, you would be hard pressed to identify most of these people as Black. But, since historical evidence does not mean anything to you, carry on with your charade.
OK MB. I apologize for my preconceive notions. I'll just wipe anything from my mind that Basir pre-approved of for his own trailer...since the function of a trailer is to NOT disclose the the contents of a movie. OK.
Perhaps it has nothing to do with racists whites on a college campus and 9/11 hate groups vs the other sensationalism.
No, that can't be it because the review that you sent said the Caucasian characters were the LEAST DIMENSIONAL and 9/11 MINI RIOTS on campus; the trailer substantiates that claim.
But I get it, I shouldn't have read into that myself. I was suppose to take the proper channels and wait for someone to tell me that. Spell it out because after all trailers are completely unconnected to the movie.
You sent the trailer but I wasn't really suppose to watch it or the article that draws the same conclusions. Reverse psychology I get it.
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